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<channel>
	<title>Negentropic Fields</title>
	<link>https://negentropicfields.info</link>
	<description>Negentropic Fields</description>
	<pubDate>Thu, 17 Dec 2020 03:58:57 +0000</pubDate>
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	<item>
		<title>About</title>
				
		<link>https://negentropicfields.info/About</link>

		<pubDate>Thu, 17 Dec 2020 03:58:57 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/About</guid>

		<description>


&#60;img width="1004" height="264" width_o="1004" height_o="264" data-src="https://freight.cargo.site/t/original/i/24d18c872def85c1e45435a9e7f33f458633c49b7c2c4b154368b4e9007025de/NFAsset-1.png" data-mid="97754834" border="0" data-scale="8" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/24d18c872def85c1e45435a9e7f33f458633c49b7c2c4b154368b4e9007025de/NFAsset-1.png" /&#62;







	
    “Actualisation”, the last component of “Negentropic Fields”
    
	
    Section 1 of 2
    


The project is a hyper-cube, implemented as a space of permutations, modes of accessing the 5 following components:



	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/ea6a55d5aea6705cec24ac8d28bf639b9e18de42a1176c8e4afda9ea26cedad1/Tesseract-07.png" data-mid="97304315" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/ea6a55d5aea6705cec24ac8d28bf639b9e18de42a1176c8e4afda9ea26cedad1/Tesseract-07.png" /&#62;
    PLATFORM
    INFO
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/c9ed2db33336b6e5cd07213db6720e759baf3bfc9fccf408d7ce03617680baa4/Tesseract-08.png" data-mid="97304316" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/c9ed2db33336b6e5cd07213db6720e759baf3bfc9fccf408d7ce03617680baa4/Tesseract-08.png" /&#62;
    ARTWORKS
    X1 - 
    X2 - 
    X3 - 
    X4 - 
    X5
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/898f34c165703dedb473016a5155dbd1ad1661d793dfa5f86e41b3e49733dec6/Tesseract-09.png" data-mid="97304317" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/898f34c165703dedb473016a5155dbd1ad1661d793dfa5f86e41b3e49733dec6/Tesseract-09.png" /&#62;
    RESPONSES
    Y1 - 
    Y2 - 
    Y3 - 
    Y4 - 
    Y5
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/fb2e7862d26b27c2f5f05234b097580f2fdf233dca7c8a2a403694be176acf6d/Tesseract-10.png" data-mid="97304318" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/fb2e7862d26b27c2f5f05234b097580f2fdf233dca7c8a2a403694be176acf6d/Tesseract-10.png" /&#62;
    ENGAGEMENT
    T1
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/79234ff56d344eaac5388199f8f117540b6c33434ed1190cb0acb4eba2e7904c/Tesseract-11.png" data-mid="97304314" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/79234ff56d344eaac5388199f8f117540b6c33434ed1190cb0acb4eba2e7904c/Tesseract-11.png" /&#62;
    ACTUALISATION
    A1









	
    The project begins with [INFO], a process-based digital platform, the infrastructure within which “Negentropic Fields”, an art-exhibition, could take place. “Negentropic Fields” hosts the work of 5 local artists [Artworks_X1 - X2 - X3 - X4 - X5] and 5 international curator-artist(s) couples that are called [Responses_Y1 - Y2 - Y3 - Y4 - Y5], which accepted by responding to the curatorial manifesto. The platform-space expands with [Engagement_T1], a section in which theoretical texts produced by scholars and independent writers working between media-theory and art. The platform is a space in expansion which also served the purpose of broadcasting live performances [so far, 1 and 2].
    
    [Actualisation_A1] is the final stage of the hypercube, the manifestation and constellation of: the manifesto and developments, the processes between the co-curators and the local artists, the contributions and responses of the international responders. Actualisation culminates as an installation at the National Gallery Singapore, in which the public could actively experience artists’ concepts as they were translated in immersive environments. The process of developing the artists’ respective digital environment was documented sporadically throughout the collaborative journey, and was translated in the time-based diagram we called the [Plot], a space that allows for an understanding of the process and the concepts behind the final immersive environments presented at the gallery.
    
	
    Read more here:
    
    &#38;nbsp; Manifesto and Questionnaire
    (INTER–MISSION and formAxioms)
    
    &#38;nbsp; How to Work Together
    (formAxioms)
    
    &#38;nbsp; The topology of the HYPER-CUBE: what is “INFO” and “Negentropic Fields”?
    (Federico Ruberto, formAxioms)
    











	
    Components of the Actualisation
    
	
    Section 2 of 2
    




	
    Kinect and Immersive Environments (Curators and 5 local artists)
    
	
    2.1
    



	
    
    
    
    
    
	
	
    The five local artists’ archives (ideas and media) are provided to the curatorial team in order to be redeployed as interactive digital environments. Traditionally media art is projected-displayed as sound or as images; in this exhibition the immersive experience is generated so to extend the physical possibility of the gallery-space to allow the user to literally explore, as landscapes and material presences, the concepts defined by the artists. The exploration relies on the user’s attitude, the interaction with the sensor needs to be learned and performed in order to inhabit a space other, a hybrid presence trapped between the physical and the digital.
    









	
    Meta-Space
    
	
    2.2
    



	
    
    
    
    
    
	
	
    [Meta-space] is a gate, the entry level to the interactive environments. It is a double topology allowing the users to move towards and to experience the artists’ conceptual developments. The Meta-space is an interactive environment holding together 5 + 1 (itself) fields of expression, “places” with different times... topoi, tendencies, vectors, tensors, etc. It is made of two integrated topologies, X1 and X2, allowing the user to switch between two forms of experiencing, of knowing:
    
    X1_It is a phenomenological desert, a sonic lunar landscape where sounds and colours index and direct the users towards different environments.
    X2_It is an analytical, formal space, a frozen hypercube located below the phenomenological ground where the user directly decides.
    












	
    Artistworks
    
	
    2.3
    


Click the thumbnails below to explore the 5 artist environments.



	
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bf09f5993f1cccab134d4e4b4291f84bdcddbd84505670ae5484939cc1cbebac/A-Thumb.jpg" data-mid="97606654" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/bf09f5993f1cccab134d4e4b4291f84bdcddbd84505670ae5484939cc1cbebac/A-Thumb.jpg" /&#62;
    Of Random Forests
    
    
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2f9102340ed2ede677443155079e561e020d86651f3a6c7c1e36b7b7cd579ada/B-Thumb.jpg" data-mid="97608614" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2f9102340ed2ede677443155079e561e020d86651f3a6c7c1e36b7b7cd579ada/B-Thumb.jpg" /&#62;
    Azimat Untuk Algoritma
    
    
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/4d0889b85daf24decba154f521a953af794609ea4861caa277b4551748657665/B-Thumb.jpg" data-mid="97606656" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/4d0889b85daf24decba154f521a953af794609ea4861caa277b4551748657665/B-Thumb.jpg" /&#62;
    Mother
    
    
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bcda2f2a5ecc94b3c9d15cf5d53a6dc0d6fee65fddc5c2055b2cc1350c58d77e/K-Thumb.jpg" data-mid="97606658" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/bcda2f2a5ecc94b3c9d15cf5d53a6dc0d6fee65fddc5c2055b2cc1350c58d77e/K-Thumb.jpg" /&#62;
    Untitled
    
    
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/04572f0e3c4b8546e91f52c53c8dde7df7361487b3b66bd20d78a66eca58307f/Z-Thumb.jpg" data-mid="97608424" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/04572f0e3c4b8546e91f52c53c8dde7df7361487b3b66bd20d78a66eca58307f/Z-Thumb.jpg" /&#62;
    Untitled terrain
    






	
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bf09f5993f1cccab134d4e4b4291f84bdcddbd84505670ae5484939cc1cbebac/A-Thumb.jpg" data-mid="97606654" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/bf09f5993f1cccab134d4e4b4291f84bdcddbd84505670ae5484939cc1cbebac/A-Thumb.jpg" /&#62;
    Of Random Forests
    
	
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2f9102340ed2ede677443155079e561e020d86651f3a6c7c1e36b7b7cd579ada/B-Thumb.jpg" data-mid="97608614" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2f9102340ed2ede677443155079e561e020d86651f3a6c7c1e36b7b7cd579ada/B-Thumb.jpg" /&#62;
    Azimat Untuk Algoritma
    


	
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/4d0889b85daf24decba154f521a953af794609ea4861caa277b4551748657665/B-Thumb.jpg" data-mid="97606656" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/4d0889b85daf24decba154f521a953af794609ea4861caa277b4551748657665/B-Thumb.jpg" /&#62;
    Mother
    
	
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bcda2f2a5ecc94b3c9d15cf5d53a6dc0d6fee65fddc5c2055b2cc1350c58d77e/K-Thumb.jpg" data-mid="97606658" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/bcda2f2a5ecc94b3c9d15cf5d53a6dc0d6fee65fddc5c2055b2cc1350c58d77e/K-Thumb.jpg" /&#62;
    Untitled
    


	
    &#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/04572f0e3c4b8546e91f52c53c8dde7df7361487b3b66bd20d78a66eca58307f/Z-Thumb.jpg" data-mid="97608424" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/04572f0e3c4b8546e91f52c53c8dde7df7361487b3b66bd20d78a66eca58307f/Z-Thumb.jpg" /&#62;
    Untitled terrain
    
	
    










	



	
	
    


    
	
	
    
    TITLE: “Of Random Forests”
    2.3.1
    
    
    DESCRIPTION: The level organises in a scalar manner three works: Plasma, Formations and Machine Dreams. The user moves through them, walking towards a light source it traverses without fully knowing it the cosmic, the planetary, and the molecular scale.
    
    CREDITS:
    Overall Project Concept by INTER–MISSION and formAxioms
    Artistic Supervision by Andreas Schlegel
    Art-Media Provided by Andreas Schlegel
    Project Narrative by formAxioms
    Concept and Design of Immersive Environment by formAxioms
    ‘Machine Dreams’ Soundtrack by Chong Ming En, Deon Chan Chee Kian, Soh Kheng Jin Eugene
    ‘Formations’ Soundtrack by Brian O'Reilly
    








	



	
	
    


    
	
	
    
    TITLE: “Azimat Untuk Algoritma”
    2.3.2
    
    
    DESCRIPTION: The level is a complex cave topology in which the user is lost. A narrating voice coming from an unknown entity tells a story, sounds intensifies at 7 cul-de-sac, places where the materiality of the cave transforms in voxelized extensions onto which a secret script and message is engraved in the form of a digital code.
    
    CREDITS:
    Overall Project Concept by INTER–MISSION &#38;amp; formAxioms
    Artistic Supervision by Bani Haykal
    Text and Sound by Bani Haykal
    Project Narrative by formAxioms
    Concept and Design of Immersive Environment by formAxioms
    








	



	
	
    


    
	
	
    
    TITLE: “Mother”
    2.3.3
    
    
    DESCRIPTION: The level is built as a particle collider. The user reaches an amorphous entity called “Mother”, with which it engages in a multi-threaded conversation. Mother is an entity bearing the traces of the past, it is a digital lump or artefacts created previously by the artists.
    
    CREDITS:
    Overall Project Concept by INTER–MISSION and formAxioms together with Debbie Ding
    Artistic Supervision by Debbie Ding
    Art-Media Provided by Debbie Ding&#38;nbsp;
    Project Narrative by formAxioms
    Concept and Design of Immersive Environment by formAxioms
    








	



	
	
    


    
	
	
    
    TITLE: “Untitled”
    2.3.4
    
    
    DESCRIPTION: The level is a 80x80x160 volume onto which a performance is played out. The user is free to move around but central stage is given to the environment, which is the true actor. What seems to be a meditative space with calming reflexes and soothing sound transforms gradually in a performance of noisy sound-waves and splintering icebergs. How did this all happen? We aren’t able to tell as we aren’t yet able
to map the causes of global warming.
    
    CREDITS:
    Overall Project Concept by INTER–MISSION and formAxioms together with Ong Kian Peng
    Artistic Supervision by Ong Kian Peng
    Project Narrative by formAxioms
    Concept and Design of Immersive Environment by formAxioms 
    Sound Provided by AKC_riot
    








	



	
	
    


    
	
	
    
    TITLE: “Untitled terrain”
    2.3.5
    
    
    DESCRIPTION: The level is the black corrugated three-dimensional reconstruction of a high-res physical record, a surface onto which the artist had engraved sounds collected from a session of field-recording at Bukit Brown cemetery. By walking the surface the users is walking the 24 hours time-span of the recording, walking changes environmental conditions, depending on location the users hears a mixtures of sounds that it could activate and collect.
    
    CREDITS:
    Overall Project Concept by INTER–MISSION and formAxioms together with Zai Tang
    Artistic Direction by Zai Tang
    Art-Media Provided by Zai Tang
    Project Narrative by formAxioms
    Concept and Design of Immersive Environment by formAxioms
    












	
    Bits (the anomaly escaping full capture)
    
	
    2.4
    




	

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/850799f10f878bed48eaefa3845c305fc007e2ddd75a8992c56b9c48390f9994/Bits3.jpg" data-mid="97861910" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/850799f10f878bed48eaefa3845c305fc007e2ddd75a8992c56b9c48390f9994/Bits3.jpg" /&#62;
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    By navigating the immersive environments the audience is given the possibility to discover digital fragments, to steal them and download them. This digital space on the platform is linked to the experience at the gallery by allowing the possession of personal [Bits]. At the termination of the experience each user is given a QR code to access a secret and automatically generated personal digital-crypt. Such space newly created by each user experience is hosted on the platform, accessible either via the personally scanned QR code or by inputting an alphanumeric password on the dedicated space on the platform.
    

    








	
    Responders
    
	
    2.5
    



	
    
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f8bcd860128cb3317518d58567a0b77af347fcb2e509e296bda5c52077899af1/HK-1080.jpg" data-mid="97734639" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/f8bcd860128cb3317518d58567a0b77af347fcb2e509e296bda5c52077899af1/HK-1080.jpg" /&#62;
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    The premise and manifesto, alongside the fragments and documentations of the local artists’ progress and the info platform, were shared to five international respondents, from which they contributed varied responses in the forms of artworks. Ranging from: a revisit-restaging-refiling of an archive; a live streaming of pixels-as-waterfall/waterlfall-as-pixels; an artist group counter platform that mediates the urbanisation and urbanism of contemporary life; an investigation of the fusion and virtual via a rendered environment informed by air quality data; and an interspecies and networked performance negotiating connections between species, technology and the planet — the respondent section draws and teases out thought lines that are resonant to the curatorial premise.
    

    











&#60;img width="841" height="221" width_o="841" height_o="221" data-src="https://freight.cargo.site/t/original/i/c01df08a521dec4edf20dcee804d24da7b8e2c492011f7b6f4ac9b6dfe05f922/Block-Asset-2.png" data-mid="97726047" border="0" data-scale="8" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/841/i/c01df08a521dec4edf20dcee804d24da7b8e2c492011f7b6f4ac9b6dfe05f922/Block-Asset-2.png" /&#62;

Explore the full digital platform.

Visit INFO




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	<item>
		<title>Mobile Menu</title>
				
		<link>https://negentropicfields.info/Mobile-Menu</link>

		<pubDate>Fri, 23 Oct 2020 04:33:15 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/Mobile-Menu</guid>

		<description>
&#38;nbsp; MORAKANA – Live Online Performance _ Watch Now&#38;nbsp; Shuhei Nishiyama – Live Audio-visual Performance _ Watch Now&#38;nbsp; Andreas Schlegel&#38;nbsp; Bani Haykal&#38;nbsp; Debbie Ding&#38;nbsp; Ong Kian Peng&#38;nbsp; Zai Tang&#38;nbsp; altermodernists&#38;nbsp; Interdisciplinary Art Festival Tokyo&#38;nbsp; tamtamART&#38;nbsp; Total Museum of Contemporary Art&#38;nbsp; Tropical Futures&#38;nbsp; Curators


	&#60;img src="https://freight.cargo.site/t/original/i/745dfb9d1412e53c258a0bb45bb5227599a372e74827c08c480edb125ac2a6a4/Info-Logo.png" style="height:32px;"&#62;
	︎



	PLOT
	INDEX
	ACTUALISATION
    BITS
    CREDITS
	ABOUT

	CURATORS
	︎&#38;nbsp; ︎
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	<item>
		<title>Hero</title>
				
		<link>https://negentropicfields.info/Hero</link>

		<pubDate>Fri, 04 Sep 2020 10:05:00 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/Hero</guid>

		<description>








	
    Explore Plot
    
	
    
    View Actualisation
    
    


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	<item>
		<title>About Heading</title>
				
		<link>https://negentropicfields.info/About-Heading</link>

		<pubDate>Tue, 08 Sep 2020 10:32:10 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/About-Heading</guid>

		<description>
	About the Platform
	Updated 21.08.20
</description>
		
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		<title>About NF</title>
				
		<link>https://negentropicfields.info/About-NF</link>

		<pubDate>Fri, 04 Sep 2020 10:05:02 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/About-NF</guid>

		<description>INFO is a digital platform that incorporates virtual environments. An exploration of archival practices in the context of emerging digital modes of artistic expressions and forms of being. The current paradigm shift exposes the necessity to imagine new emancipatory practices for non-physical forms of creation, mediation, and exposure; for the navigation and manipulation of abstract materials.




	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/d38da3d5b94fbd35bf465e017e204d4ee6de255294584ace2fb26b1ad0e8ed75/Landing-Icons-06.png" data-mid="84875196" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/d38da3d5b94fbd35bf465e017e204d4ee6de255294584ace2fb26b1ad0e8ed75/Landing-Icons-06.png" /&#62;
    PLATFORM
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/46e979935b9a9125db65e6b9297d2839351f8c73381fa9ad01c71dc989c78e25/Landing-Icons-07.png" data-mid="84875197" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/46e979935b9a9125db65e6b9297d2839351f8c73381fa9ad01c71dc989c78e25/Landing-Icons-07.png" /&#62;
ARTWORKS
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/9592568277ef8fbc030b0cdd0cdc9a905fe8e875954d16b3105e4656430f29a9/Landing-Icons-08.png" data-mid="84875198" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/9592568277ef8fbc030b0cdd0cdc9a905fe8e875954d16b3105e4656430f29a9/Landing-Icons-08.png" /&#62;
RESPONSES
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/b025953bae87ecb7e3aa569c50ccb398c74a28289756b6a34a2d0677170e281e/Landing-Icons-09.png" data-mid="84875199" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/b025953bae87ecb7e3aa569c50ccb398c74a28289756b6a34a2d0677170e281e/Landing-Icons-09.png" /&#62;
ENGAGEMENT
	
    &#60;img width="501" height="501" width_o="501" height_o="501" data-src="https://freight.cargo.site/t/original/i/97d36776cd0fa2c989861448c266a098e0544fea0a7b10572e743bf4c19346b6/Landing-Icons-10.png" data-mid="84875200" border="0" data-no-zoom src="https://freight.cargo.site/w/501/i/97d36776cd0fa2c989861448c266a098e0544fea0a7b10572e743bf4c19346b6/Landing-Icons-10.png" /&#62;
ACTUALISATION

</description>
		
	</item>
		
		
	<item>
		<title>Landing Divider</title>
				
		<link>https://negentropicfields.info/Landing-Divider</link>

		<pubDate>Mon, 12 Oct 2020 08:09:59 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/Landing-Divider</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Workflow Heading</title>
				
		<link>https://negentropicfields.info/Workflow-Heading</link>

		<pubDate>Tue, 08 Sep 2020 10:45:45 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/Workflow-Heading</guid>

		<description>
	Workflow Sequence
	Updated 28.10.20
</description>
		
	</item>
		
		
	<item>
		<title>Platform</title>
				
		<link>https://negentropicfields.info/Platform</link>

		<pubDate>Thu, 01 Oct 2020 07:49:21 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/Platform</guid>

		<description>
	











	Platform
	1 of 5


INFO tracks and shares ideas through an immersive and experiential mode of presentation. It provides a platform for translating visions and works with considerations of spatialization, coding and interaction as parameters. It is also a tool for archiving concepts, processes, and responses.

Explore by Plot&#38;nbsp; Explore by Index</description>
		
	</item>
		
		
	<item>
		<title>Landing Divider</title>
				
		<link>https://negentropicfields.info/Landing-Divider-4</link>

		<pubDate>Mon, 12 Oct 2020 08:17:13 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/Landing-Divider-4</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Artworks</title>
				
		<link>https://negentropicfields.info/Artworks</link>

		<pubDate>Thu, 01 Oct 2020 07:49:36 +0000</pubDate>

		<dc:creator>Negentropic Fields</dc:creator>

		<guid isPermaLink="true">https://negentropicfields.info/Artworks</guid>

		<description>
	













	Artworks
	2 of 5


Browse through our arsenal of ideas — whether it’s an audio piece, text, video or even an environment rendering — all from one single page. For a boosted experience, explore our full index of categories.

&#38;nbsp; Andreas Schlegel&#38;nbsp; &#38;nbsp; Bani Haykal&#38;nbsp; &#38;nbsp; Debbie Ding&#38;nbsp; &#38;nbsp; Ong Kian Peng&#38;nbsp; &#38;nbsp; Zai Tang&#38;nbsp; &#38;nbsp; Andreas Schlegel&#38;nbsp; &#38;nbsp; Bani Haykal&#38;nbsp; &#38;nbsp; Debbie Ding&#38;nbsp; &#38;nbsp; Ong Kian Peng&#38;nbsp; &#38;nbsp; Zai Tang</description>
		
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